THREE POEMS published in THE POSTIL MAGAZINE, 2026

copyright protected

 from “Tales and Poems for Light in the 21st century” by Gabriela Anderson

Flame at the Gate

(A poem inspired by the “DC-related witness intimidation” I was subjected to by intel persons of the Neocon-Zionist-Trump regime who who—through terrorist threats—ultimately forced me to leave the USA in April 2025, although I am a lawful US citizen and a traditionalist teacher).

(2023)

Wrapped in her veil of light and stars,

The girl turned on her heels

And spoke as she walked out of mesh:

“The emeralds of forests fresh,

The wild glade of my dreams,

You cannot buy with all your cash,

Nor can you win on paths of flesh

The palace of my whims…

For, far from lush intent, it mars

The thieving hands beyond the pale.

For God is Father to the nymphs

Who took upon His veil.”

The beauty of the light divine,

From centuries within,

Has reached the steam, the trains, the might

Of irons, silicones, and steels,

And bent the routes of glossy flight.

The gentleness of mighty hymn

Spread blessings on fast meals

And mingled with the daily right

Of gentle hearts to peace.

It was a day of sunshine bright

When the frail girl said “No”

Wrapped in her veil. A modest flight

While God beheld her in His sight

Sheltered from what is foul.

But at the gate a flame arose

Protective like a wall, though thin,

From strengths of centuries within,

To guard the temple of the soul,

To keep it clean in ardor still

To keep it tall like the green hill,

Immutable in an old pose,

Unbending like a silver spine,

Brave and alive while it beholds

The beauty of the light divine.

Song of the tribal girl

(2025, copyright protected )

(for the indomitable women of the Middle East)

Better than that Armani charm

Balenciaga and Dior

I much prefer my tribal skirt

that never set frills in a store.

For never was this desert skirt

touched by foe’s hand or ever hurt.

It saw wild winds that raised it high,

and heats like hot soup boiled in pots,

like summer spices burning dry,

and never was it out for trade,

for others’ sightseeing or for sale,

it never got pinned down by nail,

its light was never torn by shade.

Its bright hues fabric never rots,

for it was spun with blessed rays

my old kins gathered from the moon,

and washed with magic dew in spoon

of silver blessed by the priests

who worship the One God in caves

wisdom and faith as only feasts…

It gathered wheat and rice and rye

from fields unseen by human eye

on wondrous rainbows of the sky.

It gathered shells from rainy slots

of sea-bathed shores after the rain

and flowing light it spreads in dance

unseen by evil eye at noon

under the blessed sun of boon

its gauzy veils causing the trance

just of palm trees of God’s domain.

My many-layered thing of old,

now green, now yellow, red and bold,

adorned with dots like skin of fawn

that shine like many coins of gold,

is ever new with freshest dawn.

For sacred charms in all its frills,

like holy beads in hermit’s fist,

have powers that can stir new thrills.

An evil eye would turn and twist

and into goodness will unfold

unable to harm evermore,

as tales of such lore have been told.

Under the sliver of new moon,

most divine light has touched a dune

The light embraced a humble tent

A golden prayer seemed to melt,

On hands that weaved, on a sweet tune,

In furtive glow without alert,

a woman sitting on a pelt,

Embroidering a shape, a rune:

my great-great-great-grandmother’s skirt.

My tribal skirt is ancient-made,

it kept away the modern beasts,

it carries charms of ancient lore,

it smells of freshest fields of past,

its shining powers always more,

Better than that Armani fast,

Balenciaga and Dior.

It dies with me my tribal skirt

It lives with me, always unhurt.

Beaming light

2024

Waves of abundant joy I grasp

from memories like serenades,

from depths of time on ocean’s cusp,

emerging merrymaking boats

of laughter crystalline or rasp…

Times of a past with tents and goats,

with sand mirage and cooling palms,

veils on coal braids in golden clasp…

Times of the Truth in sacred glades.

All memories like serenades….

God shone His Light on moonlit waves,

loud children’s merrymaking shone

to spook the clouds of every morn’…

Candles were bright on walkers’ roads,

The light of warmth, the light that calms….

And brighter times never have been

than days of tents and goats and glades

of shepherds that knew not of sin.

I see beyond this dark machine

that holds our clockwork in its arms.

God shines His light on quiet waves,

today as yesterday unseen,

for everyone who light still craves.

I have no fear of the Asp

of darkness, of the Serpent’s grin….

The times of joy living within

my heart, my inner soul’s last gasp

are times of God’s protective beam.

copyright protected

Light on Dawns of Ash

(poem inspired by the prayers I learned while living at the Monastery of the Benedictine Sisters, The Basilique of Montmartre, Paris, 2025-2026)

Pray for God’s light

on dawns of ash,

as all your soul’s desire,

when clouds of terror rise to bash

your joyful new attire.

The light of God is all you need.

By wand unseen from the above

into rose gardens it turns weed

and to the softest purest love

it sacredly returns the dream;

for hearts in Faith a winning fight

it rises powers to redeem….

That’s all you need

on dawns of ash

of slavery to sorrows’ morn.’

Rise for rose gardens over lash!

In joyful new attire

wish for the bluest divine height,

wish for a new day without thorn,

on weedless fields

blessed by God’s might

you have one road — entire.

Pray for a Love that kindness yields,

for sacred dawns that see what’s right,

within the Hope, that always lies

beneath the tears in your eyes,

see the sole gift: Pray for God’s light.

[4 POEMS published in the INTERNATIONAL NOTEBOOK OF POETRY, 2000 (under the maiden name Gabriela Scorcealov)

Morning at the window

(published as “Cotroceni, morning at the window” in Origins – Romanian Roots magazine, 2000; a poem for the students who went out on December 21, 1989 against the communist dictatorship of Ceausescu; a story that some newspapers mentioned — about a girl who died during the shootings that night)

1999

Along the streets

lamps died out in a row

The trees

green twigs and leaves

smell May fresh.

In the shade of a van

a girl’s thin body is becoming a bow

in the arms of her man.

Tall gables and dust

Gardens

one, two, three —

Memories and rust

camps of dispair

The Royal Palace

Must

Be

Ours!

In the shade of a tree

a girl’s body grows flowers

in the arms of her man.

Kiwi and French pie

Pieces of exotic dreams

still lie

on stone market stalls

A beggar falls

under the hymns

of the journalist’s pen.

In the garden of whims

a girl’s body is buddying

in the arms of her man.

Our Father will pardon

(Candles: one, two, three)

The cupola covers

an innocent statement

the quick men’s debates

the air vibrates

from bullets

PPfheeee….

In the Botanic garden

the howl of a dog intonates

an old Byzantine lament.

White lamps are dead in the sky.

In the dim halls of fears

a girl’s body drops petals

like tears.

Gare Saint Lazare (published as “To my dear shrink” in Origins – Romanian Roots magazine, 2000)

1997

My recurrent dream is about

being lost in Gare Saint Lazare.

The glass roof filters the light with fantastic iridescence.

A train awaits me afar….

(a blackout)

I find myself in the crowd.

Puzzled.

And lonely…

Not knowing who I am….

confused by the odor of vapor and incense…

muzzled….

I’m walking around.

A huge gem

is shining at me through the glass roof.

A hoof

is beating the tick-tock of my thirst

and the halls I traversed

have left me with the dry taste of desire.

No one talks to me.

(But they aren’t shades!

– I am the flier

moving around imperceptibly higher,

aware of their loneliness and mine,

of the line,

of the eye pits of those who need tickets.)

I open my eyes

—  always –

and rise

before finding the way.

In the night I’m drowning

the train of Santa Fe

and Tolstoy

and Monet.

I’m a stray

every morning.

SONG OF THE BRIDE

1997

And you see

The rains of June were my bridal veil,

A spray of lightening, diamonds.

The rains of June when they came with the odor of lime-tree

and moss,

a breeze and a sail,

on the ocean of loss,

raindrops burning the roof of the haunted houses

for me.

And a spray of lightening – diamonds

as my clothes…

~

How many times did you see

the wedding of ice and heat?

the rains of June through an open window?

~

How many times in one life

did your heart beat?

from the unpublished volume The Malachite River

2026, copyright protected

De ce n-am vrut sa ma despart de mine ?

De ce n-am vrut sa ma despart de mine ?

             In palma de nisip a copilariei

unde valurile opace de malahit ale Dunarii

            (cine a fluierat « albastra » ?…)

umezeau visurile noastre albe de copii

            dand un regat de rasete pentru o inghetata

sub coplesirea de platina a lui august,

            refuzand daua tic-tacuri de placere pentru un vis de departari …

In palma de nisip a adolescentei

            unde valurile imbietoare de oranjada verde ale Dunarii

(cine a soptit « Lorelei » ?…)

            nu imi mai saturau setea de necunoscut –

            (oh, nu, nu se vedeau gemele Rinului !)

Acolo se miscau trupuri alungite de fete

            impartasite cu primele licori de flori de mar,

liane peste unduitele valuri,

            pierzandu-se apoi curand in puhoaiele aprige ale

cotidianului stingator de focuri si de vise,

            despartindu-se lin si intepenit de focurile mocnite ale candorii.

Acolo se aruncau cu bravura de sus

            trupuri zvelte de baieti,

topindu-se in valurile inselatoare

            ale ispitelor stingatoare de focuri,

rupandu-se de vapaia ambitiilor.

            De ce n-am vrut sa ma despart de mine –

de eu-gema-pietricica-de-rau

             de lumea care se alungea, se unduia, se azvarlea

in apa fara rost, nestravezie si fara griji a toropitelor veri ?

            in valurile Dunarii indiferente, vesnic tinere si apoi verzi-albite

sub gheturile revarsandu-se iar si iar in aceleasi veri amnezice ?

            De ce n-am vrut sa ma despart de mine ?

trup unduind, mocnind, zvelt,

            cu ambitia focului tanar 

pururi umezita doar de amintiri, 

            niciunde fara auriu-ros-albastriu,

nicicand fumegand.

                                    A fost vanitatea oglinzii care a decretat contra ridului si a pantecului?

                                    Ori a fost vartejul destinului care zice-se infasoara mut-orb inotatorii ?

            Poate mie

(cine a susurat « unora din noi ? »…)

            Dumnezeu a daruit nu un cotidian

            ci un fluviu de apa vie,

                        malahitul regilor antici,

                        inocenta copiilor in cifrul sufletului,

                        vapaia adolescentei vesnice sub piele

                        spalarea de inima a iernilor.

                                    Un fluviu

                                                traind ascuns in cochilia curata a trupului.

                                                            Si o liana

                                                                        peste undele adanci ale vietii….